Hayseed 30 manual

Did the cleans amazing and tons of head room as was said. Would have been a great blues or rockabilly amp but surprisingly different then the Hayseed.

I attribute it mostly to the speaker but never tried swapping 'em. Both seriously great amps. Congrats on your purchase! The top boost on that amp sounded so great I rarely used the EF86 on it's own but sometimes jumped 'em. That EF86 side had a bass normal-cut switch that was never quite right for me on it's own it's on the back of the amp. Listing Sold. Shipped From. Quick Responder Quick Shipper. Message Seller.

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Scan with your phone to get the Reverb app:. There should really be an award for this kind of committment to bringing us good tube amps at a decent price. After hearing that a Hayseed had landed in Stockholm, I just had to chase it down ant put it to the test. Olle Norin was kind enough to let me abuse the amp for as long as needed and I was very much impressed by the high quality sounds and beautiful appearance of this extraordinary amp.

Every time I do this I get "the time machine effect". All of the recordings that shaped my idea of what an electric guitar sounds like, come back to mind. In my mind, the Vox AC30 is as closely associated with electric guitar as the name Martin is with acoustic guitars. No other amp that I've heard is as instantly recognizable as these. I'm sure many of you have played and tried AC30s, but to me, it is characterized by a shimmering treble, quite a lot of compression and an almost seamless crossing from clean to distorted tones.

Even though it is brighter than a lot of other amps, it never gets hard on your ears, nor does it breach the boundaries of the guitar pocket in a band mix. This is an amp that doesn't need reverb or delay. It fills the room anyway and comes alive at the tip of your fingers. It will also cost you an arm and a leg if you're set on getting the real deal. If the Hayseed gets anywhere near, it has to be a bargain. It is the 2x12 version and came equipped with Weber speakers, one alnico and one ceramic, both rated at 25W, according to Olle.

The amp has four inputs, two of which go into the brilliant channel and the other to are used for the normal channel. Two volumes, two tone controls and the hi cut knob is what you'll find on the panel along with the standby and power switches. The half power switch, the reverb and the master volume are hidden inside the cab but are easy enough to reach when you need to.

They are more of the set-and-forget variety anyway. In order to give the amp a thorough test drive with some sort of sound reference, I brought my standard telecaster and plugged straight in.

I first tried the brilliant channel and turned up the volume halfway with most other knobs at 12 o'clock. At first, the half power switch was engaged, some reverb was mixed in and the master volume was set halfway. I realize of course that these features are useful and appreciated by a lot of people, and they do make an amp flexible.

My gut reaction however was to bring the master all the way up, engage full power and turn off the reverb. Removing all of these "obstacles" to guitar tone opened up the amp and it started to breathe. It's like a small animal that has to be set free before it really thrives.